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Since 2001, the Speaker’s Advisory Committee for Works of Art has appointed an official artist for each general election. The artist follows the campaign trail around the UK and produces an artwork or artworks based on their observations. The 2010 commission was awarded to Simon Roberts. Roberts is one of the UK’s most celebrated photographic artists. His work explores landscape, British identity, and belonging. In this online exhibition we share Roberts’ unique process of working, and present his final collection of 25 photographs capturing the 2010 election. 

Simon Roberts 

Before the election project, Roberts had undertaken two similarly large-scale projects. ‘Motherland’ (2007) charted a 75,000km journey across Russia between 2004 and 2005. In ‘We English’ (2009), the artist travelled around England in a motorhome photographing British leisure experiences. His work after the Election Artist commission includes the photo collection ‘Merrie Albion – Landscape Studies of a Small Island’ (2017), a ten-year survey bringing together political, social, and leisure experiences and identities.  

2010 General Election

The 2010 election was predicted to be one of the most tightly contested since 1992. That proved to be the case. No single party won a majority for the first time since February 1974 (known as a ‘hung Parliament’). The result prompted a coalition government between the Liberal Democrats and the Conservative party, who had won the most seats. 

Roberts produced 25 tableaux-style photographs as election artist, utilising a large-format 4×5” film camera and photographing from an elevated perspective. 24 of these represented the days he spent on the campaign trail, traversing the country in his motorhome. A final (and unexpected) image from outside the Liberal Democrats’ headquarters captured the coalition talks. The party’s leader, Nick Clegg, believed the largest party had the right to form a government.  As they did not have an overall majority, David Cameron’s Conservatives needed additional support from another party’s MPs in order to pass legislation. Negotiations between the two parties began on 7th May and Cameron was announced Prime Minister four days later. They displaced a Labour government that had been in power for 13 years, led into the election by then Prime Minister Gordon Brown.  

A photograph of busy road, with a black car driving into shot and behind it a large white campervan. In the foreground, a white adult man with ginger hair holds a large camera on his shoulder, pointed towards an older white woman with short hair, dark glasses, a red scarf and a purple jacket.  Another camera is facing her from the other side.  Various men and women are also milling around. On top of the caravan, a white adult man with a slight beard and brown hair kneels with one leg on top of the caravan, wearing a check shirt, jeans, and white shoes.  He has a camera fixed on the caravan and is holding a wire or line.  To the far right, ahead of the campervan, two young figures sit on a wall, one with a grey hoodie pulled up over his head and the other with a grey jumper around his neck and his hand to his mouth.
Simon Roberts at work, photograph © Daniel Lillie

Roberts set out to record not just the three main political parties but also the smaller parties and independent candidates. His photographs record electioneering events and the UK’s diverse social and physical landscapes. They were displayed around the first floor of Parliament’s Portcullis House after the election as a free, ticketed public exhibition. They are now visible in locations across the Parliamentary Estate.

A photograph of a wood panelled corridor, with green leather bench seating running along the wall and a looped window at the very top just visible.  On the wood panelling are three photographs in black wooden frames.  The photographs are all of suburban scenes with grass patches, the nearest has two cars (the first black and second red) and a group of people on the side of the pavement. Some underlighting is visible in the far bench facing the carpet.
Photographs on display in Portcullis House © Simon Roberts

Watch

In a short video produced with Heritage Collections, Roberts explains his process, how to read the photographs and what they can tell us about the year of the election.

Full screen and subtitles available: please toggle the icon on the video viewer.

Public Gallery 

Roberts’ election project also included a ‘Public Gallery’. Photographs were submitted to a dedicated website by members of the public to reflect their own visual experience of the election. They were then curated by Roberts, in order to foster public participation in the project and complement his official series. Roberts explained at the time that;

Utilising photographs [submitted by the public] from digital cameras and mobile phones and creating an alternative photographic vision alongside my own will add a collaborative and democratic element to the work. They will also help provide an antidote to the more stage-managed photographs increasingly seen from campaign trails.

The public gallery is online at The Election Project. Clicking the image in the online gallery will expand the photographs and display the title or caption given by the photographer. The gallery was on display in Parliament’s Portcullis House in 2010 after the election, along with Roberts’ own photograph series.

Image of a light blue background, with a brown voting box in the middle. A white ballot card sticks out from the top of the voting box. The name Simon Roberts is printed at the top of the image in capitalised red font. The phrase The Election Project is printed at the bottom of the page in capitalised white font.
Election Newspaper © Simon Roberts

Newspaper 

Roberts published the Election Project newspaper to accompany the photographs.

The publication explores the relationship between the media and politics, with invited writers contemplating the way political parties managed their relationship with the press, the use of photography in elections, political allegiances, and media organisation. It includes essays from photography curator Greg Hobson, journalists Sean O’Hagan and Peter Wilby, and then Speaker of the House John Bercow. 

The full newspaper is available here.

2010 Election Artist Gallery

You can view all 25 photographs produced by Simon Roberts here.

Click an image from the gallery to start.

Each photograph is accompanied by an extended caption from the artist. These captions, unless otherwise indicated, were written in 2010, just after the election, and so reflect the artist’s views of the election and its context from the time the photographs were produced. 

The full title of each photograph in this series includes the election results of the seat depicted. You can view the full titles of all 25 photographs in this PDF.

The Election Artist Series

Visit our online exhibition for 2019 Election Artist Nicky Hirst

In 2017, the official Election Artist was Cornelia Parker. Watch her digital artwork here.